Monday 21 July 2014

On posing for Jodi Bieber: Q & A with Sabelo Mnukwa (Activateleadership)

 
Fellow Activator, Sabelo Mnukwa, was one of the subjects in photographer Jodi Bieber’s breaking boundaries exhibition, Quiet, at the Goodman Gallery in April 2014. The exhibition examined conventional masculinity by confronting traditional representations of men in which strength and toughness among other masculine attributes are valorized while locking men into gender roles that are complicit with violence.

“Bieber’s portrayal of men in their naked, vulnerable moments rather than the usual portrayal as workers and providers was interesting in that it went against the stereotypical role of men in the media, says Mnuka, “The exposure of unseen moments ironically demonstrate how rarely men are portrayed as ‘imperfect”.
ACTIVATE! Asked him a few questions about the experience:

A! Why did you pose for Jodi Bieber (JB)?

SM: I was curious about being exposed in public, breaking away from an image that I try to project and how others experience me and rather just being the person no one ever really sees. Her idea of portraying men in their quiet moments was also something I realised I don’t see much of in the media.

A! How did you get involved with JB?

SM: I attended a lecture by Jodi at Wits University last year where she mentioned her next project and what she was trying to achieve. The idea of going against the conventional image of what it means to be a man excited me as well as the opportunity to get involved in breaking down gender stereotypes.

A! What drew you to this project?

SM: Before this project I had never questioned why particular images of men are popular in mainstream media. It is rare that men are shown to be less than perfect such as in this photo series where Jodi shows regular men reading books in their underwear or caught in their everyday life away from masculine pressures. This kind of exploration into image made me question how I portray myself and how others perceive me.

A! How did you feel about going against traditional representations of masculinity and opening up, literally and metaphorically, leaving yourself bare?

SM: The experience was awkward and uncomfortable. I didn’t tell any of my friends that I had signed up for the project because I felt that they wouldn’t understand. I was hyper-aware that going against traditional representations of masculinity, was going to be difficult to explain, even amongst friends. The reinforcement of notions of heterosexual masculinity as separate from feminine qualities made it hard to express my involvement in the project. I learnt, more than I had ever realised, how little opportunity men have to express their inner feminine qualities to the world because we are supposed to be constantly representing ourselves in a certain “masculine” way.  Having participated in the project I think there is a need to begin breaking barriers around masculine representations as well as the expectations around personal representation.

A! What were you impressions of the project?

SM: This project was an important conversation starter around how men are portrayed in mainstream media and for me personally, how black men are represented. There have been mixed views about the project from critics with many people asking whether the project actually helped change any of the stereotypes. However I think that this was a bold project and that Jodi did well in her portrayal of “behind the scenes” male life. If nothing else, I think that this shed light on an issue that does not get enough recognition, although we still have a long way to go.

A! How did you feel about confronting the viewer the way you did?

SM: I felt strong and balanced in my representation of myself as an African man. African people in the past wore very little clothing and this was not seen as taboo. By posing the way I did I felt like I was reclaiming that indigenous part of me.

A! What have you learnt from the experience?
 SM: I’ve learnt that we hold on too tightly to the representations we are taught to follow by society, culture and religion. Even worse is that we don’t question them. If we are moulding ourselves to fit these representations then it should benefit us rather than creating problems in our relationships and more importantly our self-esteem and self-worth. My advice to people is captured in the words of James Baldwin, the African American writer who once wrote that; “Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one's nakedness can always be felt, and, sometimes, discerned. This trust in one's nakedness is all that gives one the power to change one's robes.”

Posted by Nelisa Ngqulana on Tue, May 20 2014 11:43:00

Original interview. . .

https://www.activateleadership.co.za/blog/on-posing-for-jodi-bieber-q--a-with-sabelo-mnukwa 


http://www.goodman-gallery.com/artists/jodibieber

Saturday 19 July 2014

TURBINE ART FAIR - 67 minutes of Supporting South African Art!

67 minutes of Supporting South African Art!  That's what I got up to for Mandela Day! 

After attending a conference on Youth led enterprises and skills development practitioners (big words!) hosted by the City of Jozi, I spent the rest of my Mandela Day looking and choosing Art pieces I could buy.             

Art is expensive. .   Even without the frame! 

Nonetheless, I got exposed to a number of young South African and a beautiful Ghanaian artist (Jessica Foli- her exhibition was called Darkie and depicted quotes that 'darkies' say to other 'darkies'  like 'where did you get your english') who are a collective of emerging artists called Fresh Produce. Their group exhibition was supported by the Rand Merchant Bank (f#*ken capitalists) and a non profit the Assemblage (@assemblageza). 

Another group of talented artists I met on the day were from the East Rand in Ekurhuleni, called Blaque Inq Contemporaries who might be changing their name soon, because  'people' ask them questions like, 'does the name 'blaque' mean you don't have 'white' artists in your group?'???????

Really!!!!!like WTF!!!!! 

Welcome to South Africa!!!! #TheWhiteMansGuideToFunding

ANYWAY! LEST WE FORGET! LOL. The Blaque! Not Black! Artists who presented their work were Arthur Thokoane, Kamogelo Masemola and Nicole Phooko.  Inspirational and creative work all round straight from Kwa Thema,  Extension 1. To Get in touch with them- Facebook- Blaque Inq Contemporaries.  

In contrast to Fresh Produce the Blaque not Black Inq group paid for their own exhibition space as a way of getting their work out to the world. 

An interesting conversation I had with one of the Blaque artists was around why it was often harder to get Black people to buy art; the answer he gave made think quite deeply because he felt that it was about  'priorities' .  . . That in a way Black people didn't have the time or money to make art a priority. . . (Something to think about).

The Art Fair itself had over 50 exhibitions and the main theme of the Exhibition was 'Emerge' which the. MD of Turbine Hall said "Emerge encapsulates so muchabout our world. South Africa Is an emerging market, Newtown and Braamfontein are emerging as cultural centres of Jozi (she said johannesburg- obviously)". 

Though the words of the Turbine Hall M.D are true, the event itself represented a microcosm of the Inequalities within South Africa; the luxurious Turbine Hall sits just a street away from Bree Taxi Rank, where in the midst of all the noise and movement there is barely anytime to reflect on words like 'contemporary and abstract'. Singena Ku4-4 and long queues, not Long Island Ice Teas and Live Jazz music. .  

Gentrification.

As I put on my head sets and walked 2 streets out of one world into another I recalled the words I saw on Facebook-  "People who see gender inequality but can't see racial inequality or vice versa are usually purely self-interested 'actvists'." #LeboMashile . 

Next year though I will only celebrate the number of lives lost at Marikana.  

These are the last words i send to Mkhulu.  

Hamba kahle Tata Nelson Mandela. Siyakubonga Qawe la MaQawe. Umoya wakho u be nathi. uQamata akubusise.

Nelson Mandela’s extraordinary opening statement at his 1964 trial in Pretoria ;

“The government answers its critics by saying that Africans in South Africa are better off than the inhabitants of the other countries in Africa. I do not know whether this statement is true. But even if it is true, as far as the African people are concerned it is irrelevant.

Our complaint is not that we are poor by comparison with people in other countries, but that we are poor by comparison with the white people in our own country, and that we are prevented by legislation from altering this imbalance.”

@Smnukwa 

L.s.mnukwa@gmail.com






Taxi rank picture taken from- http://journalism.co.za/indepth/jozicity/?p=140.

www.turbineartfair.co.za





Tuesday 1 April 2014

"Brief Moments. . ." An Open Letter about Sabelo's Sunday Times Potrait

It is True!
Boity (Marie Claire Boity) and I use the same Media Agent!

Not!!!


If you haven't seen the picture, brace yourself. . . .



I have been receiving mixed responses about the picture (above) that was placed in this Sundays LifeStyle 'Art Section'. I don't know about you but it admit it seems a bit controversial! I mean; Good Man Gallery,  The Spear, Boity, Naked, Me in my Underwear! Eish ja, bad timing. . .I know.

But I can explain!

The picture is not a SELFIE ! :-) 

It was taken by a professional Photographer called Jodi Bieber (No, not Justin Biebers Mother) for her 'Quiet' Project launching at the Good Man Gallery, Rosebank this Thursday (3 April 2014 at 6 pm).

The number one question I've been asked by most of my friends is "Why?". Why get half-naked? 

Well. . . I don't really have an answer except that I don't have any kids to protect from embarrassing pictures or a girl friend to give me sound advise about the worst that could happen if such a picture found its way into the public space or social media. 

What i can say is that i met Jodi Bieber at a lecture series at Wits University where she was speaking about her work particularly leading up to the 1st Elections of Democratic South Africa. Her project she mentioned was about addressing the fact that Men are often portrayed in a certain manner; as violent, macho, serious etc and just how that does not really represented what men are truly like.

Her Project 'Quiet' ,'is a portrait series of men in South Africa, in their homes, stripped down to their underwear, sometimes confronting the viewer, in other instances finding comfort or restraint in directing their gaze elsewhere. By way of their setting and disclosure, these are intimate portraits that reveal a vulnerability and calm ultimately countering the public portrayal of the male order as aggressive and forceful."

Beyond the portraits and half naked pictures of men will also be a dialogue series presented and supported by Sonke Gender Justice Network in Collaboration with the Goodman Gallery. L.O.L

DIALOGUES ON: MASCULINITY, POWER, EQUALITY AND JUSTICE
GOODMAN GALLERY, JOHANNESBURG
SATURDAY 12 APRIL 2014 AT 11H00

DIALOGUES ON: THE PERFORMANCE OF MASCULINITY IN ART AND THE MEDIA
GOODMAN GALLERY, JOHANNESBURG
THURSDAY 24 APRIL 2014 AT 18H00


I know, what an anti-climax! 


Anyway I do hope you'll be joining me this Thursday at the Goodman Gallery; 6 pm! No African Time!
Before you log out, subscribe to my Blog for Weekly updates :-) and don't forget to vote on the 7th May 2014! 

Catch me next week as I wrap my head around the Picture of Boity in Marie Claire and what it means for the Selfie-Generation! :-)






Sunday 29 December 2013

How Priviliged Am I

How privileged am I?

Danone, 2 Computers, Books, French Slippers & French Fries for Breakfast?
How privileged am I?
English accent registers 'highly articulate!
How privileged am I?
Internet access, full time porn access.
Watching Beyonce Videos like Europeans musing over the Mona Lisa :-)
How privileged am I?
Black man in a 'white world'. . .
Had the privileged of dating a White Girl in this white world.
How privileged am I?
Xhosa intellect "Clever Black mentality' the race with the X-Factor
Chromosones so you know I'ma put an X next to ANC
How privileged am I?
Wait till you see the conditions of most of my people
How privileged am I?
5 people sleeping in 1 room and no it ain't an orgy!
3 rooms all to myself and you blame me for being a 'Georgy Porgy'?
How privileged am I?
I have the time to write poetry! Damn I'm high up on Maslows Hierarchy?
How privileged am I?
Ask the Children in Sudan and the DRC?





Hahaha
#BlackAristocrats #NoShameNoGame #SupportSudan #SupportSouthAfrica

@SMnukwa Inc 2013

Friday 13 December 2013

After Mandela

The leaders we have today are a product of many years of slavery,colonisation, apartheid and a corrupt economic system which makes any leader seem like a bad leader.

Or maybe the leaders are a reflection of the people they govern. . .and in that case perhaps it is the people that must change in order that better leaders may be produced from within the populace!

13 Deca 2013 A.M(After Mandela)
Reflections on Leadership
A.S.Mnukwa

Monday 14 October 2013

South Africa-Azania !!!

I think I'm learning every day that South Africa is a very diverse country in all its aspects and that's the reality of it!

You can be in Orlando West on Vilakazi Street @ Sakhumzi and feel like you're are in Sandton, and then drive a few kilometres away in Kliptown with shacks and pigs drinking from muddy reef water. . . and this pattern repeats itself throughout S.A!

For some of us who were born into both worlds (Attended a Semi-Private School while living in Soweto) where by-day we were  city-kids and by-night we were kasi-kids it really didn't matter! Our eyes were to 'blind' to see or measure if our reality was not 'enough'. . .

Of course the effects of these conditions only show themselves later in life when you realise that there is a Economic and Political environment rooted in History and Power struggles. And this is where it gets interesting because when you realise this environment exists you have a choice to make . . .

"The Whole Worlds a Stage; the people the players. To be or Not to be? That is the Questions" - Sir William/Francis Bacon Shakespeare



Tuesday 14 May 2013

The Eye In I

Wow. The Eye in I. The Soul sees why. Silent but presence. Forever focused and Present. The Eye in I watches over thee like a storm cloud above a rain dance. Raise hands to the sky if you thinks external. Bow down on your knees if you perceive it is superior. . .

Or perhaps find one with whom you think your vibrations resonate. Musical cord strings, the lyrical Heart makes our Being wana levitate. . .

Hold my hand now gentle. Pull me close just slowly.
Look me Eye to Eye.
Now kiss me, and feel the I in I.

Inspired by Tupacs- Depth in Solitude